De Profundis. (). for accordion. Duration: 9′. Territory. This work is available from Boosey & Hawkes for the UK, countries of the Commonwealth (excluding. Sofia Gubaidulina. Publisher: G. Schirmer. De Profundis (for solo Bayan) (). Work Notes. available in the USA, Canada and Mexico only. Publisher. Timbre, texture and spiritual symbolism in Gubaidulina’s two works, De profundis and Et expecto. Aural sonology as a tool to explore sonic and structural aspects.
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Gubaidulina was born in the Tartar Republic, USSR, in and has become one of the most important composers of the last two decades of the Soviet Union and the first decade of the Russian Republic. Of all active major composers, gubaidklina has shown the most interest in using the classical accordion.
Sofia’s Choice: Gubaidulina at 80 at the Royal Academy of Music
This interest may have gubaiduljna from her involvement in the s with a group of composers interested in assembling ancient and traditional instruments and writing highly modern classical music for them. Various textures are used, from a chorale idea that represents hope, to a long single-line melody suggesting prayer. Unusual techniques are also used, from glissandi, shuddering vibratos and the sighing sound of the instrument’s bellows.
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Sofia Gubaidulina – De Profundis (for solo Bayan) () – Music Sales Classical
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Seven Words; Ten Preludes; De profundis. The Tree of Life.
High Way for One. Silenzio; De profundis; Et exspecto; In Erwartung.