Eduardo Mendoza Garriga is a Spanish novelist. He studied law in the first half of the s La verdad sobre el caso Savolta; El misterio de la cripta embrujada (1st novel from the nameless detective series); El laberinto. Historia fidedigna del origen y desarrollo inicial del pentecostalismo. El papel La Verdad Sobre el caso Savolta: resumen y notas de Ana SolÃ-s. Estuvimos el. iniciamos un peregrinaje para reencontrarnos con compaÃ±eros del alma que la . Fracturas La Verdad Sobre el caso Savolta: resumen y notas de Ana SolÃ-s.
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Eduardo Mendoza Garriga – Wikipedia
He studied law in the first half of the s and lived in New York City between andworking as interpreter for the United Nations, and then tried to become a lawyer and then he realized that he wanted to be a writer. In he published his very successful first novel, Skbre Verdad sobre el Caso Savolta The Truth About the Savolta Casewhere he shows his ability to use different resources and styles.
Resuumen novel is considered a precursor to the social change in the Spanish post-Franco society and the first novel of the transition to democracy. He describes the union fights at the beginning of the 20th century, showing the social, cultural and economic conditions of workers in Barcelona by that time. A year later he was awarded the Critics Prize.
His most acclaimed novel is probably La Ciudad de los Prodigios The City of Marvels, about the social and reumen evolution of Barcelona between the Universal Expositions of and It was film adapted by Mario Camus in Also within Mendoza’s work stands the saga of the mad detectivea peculiar character, a nameless accidental-detective locked up in a mental hospital.
The first of these novels, El Misterio de la Cripta Embrujada The Mystery of the Enchanted Cryptis a parody with hilarious moments mixing hard-boiled genre with Gothic narrative. In the second novel of the saga, El Laberinto de las Aceitunas The Olive Labyrinth, Mendoza confirms his talent as parodist; the novel stands as one of his most successful works. This first theatrical piece was followed savlota two other titles that the three of them were published together in Madrid, An Englishman in Madrid.
Eduardo Mendoza’s narrative studies divides his work e, serious or major novels, and humorous or minor ones. Although recent studies have shown the seriousness, criticism and transcendence in his parodic novels, as well as the humor presents saavolta his serious ones, due to the influence of the characteristics of the postmodern novel.
From Wikipedia, the free encyclopedia. For the Venezuelan statesman, see Eduardo Mendoza Goiticoa.
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