Francisco Colasanto is on Facebook. Join Facebook to connect with Francisco Colasanto and others you may know. Facebook gives people the power to share. Giga-Hertz Award & Walter Fink Prize. Award Ceremony. Projects. Red plaque with “Giga-Hertz-Award” in white letters · Giga-Hertz Award. Francisco Colasanto. Buenos Aires (Argentina), Composer. Francisco Colasanto. Complete List of WorksComplete List of Albums.

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How would you describe the teaching methodology used here? After following all the projects proposed and when you finish the book, you should be ready to create complex and useful patches for the development of an interactive project.

An Interview with Francisco Colasanto

I love exploring the interaction between acoustic instruments and electronics. An Interview with Francisco Colasanto — Cycling How were collasanto introduced to Max?

In my opinion, there’s a strong demand in Latin America. There are many artists currently working with interactive techniques and many others interested in francsco started. I can remember myself spending many hours a day studying Max, and I did so for 5 years of my life.

An Interview with Francisco Colasanto.

That’s why I think is critical frnacisco provide a solid base of the message-based patching before delving into signal-processing.

Could you put a link back to us?

You usually don’t learn German by reading Goethe or Italian reading Dante; instead, you start with simple phrases, sometimes a bit dumb, and usually without a specific daily use. I realized that I could create visual program routines using interconnected boxes. We’ve seen some really phenomenal technology-based work and New Media institutions popping up in Latin America in folasanto years, but North Americans are largely unaware of these developments.

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Are you planning fancisco write other books on Max?

Francisco Colasanto

There are also many people doing things in Spain, of course. As far as I know, there is no any other version in Spanish. Learn about our user conference Expo ’74 Coming in April Who is this book for? Published September 28, Cycling ’74 will be closed on Dec 25th, 26th, and Jan 1st.

In your perspective, where is the most exciting stuff happening right now in the Spanish-speaking world? At that time I was working in a small electroacoustic music laboratory in Buenos Aires. We can also include Brazil, as Brazilian Portuguese is close to Spanish, and many people will be able to read the book there. I studied Csound a lot, and when I found Max it was like a revelation. Of course I used the tutorials in English.

Francisco Colasanto | ZKM

I’ve already begun to write it. The second will be entirely related to signal processes, i. Did you learn from the English tutorials that ship with Max or was there something in Spanish that you were able to access? Artists working with Max are able to present their job there as well as at “Visiones sonoras”, our international music and new technologies festival that takes place every year in November.

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But this kind of phrases teaches us the structure of a language and frrancisco to build it. You focus a large portion of the book on Max objects and MIDI, leaving sound processing for the later chapters. Muchas gracias un saludo. The methodology I used was to build knowledge as a pyramid, reviewing past concepts as new ones are introduced, so knowledge is enlarged and solidified.

Francisco Colasanto | Free Listening on SoundCloud

I’ve dictated several Max courses in Argentina, and all of colawanto were always very crowded. Where are you from? I started working with Max in However, there is also not enough literature into English. Manual authorization, support cases, and manual order processing will be delayed. Sign in to reply. My intention was always to write a book that could be used by anyone wanting to get started with this, so the first chapter introduces the first concepts of Max and its interface. I also wanted to provide some literature on the subject that could be used by Max teachers in Latin America.