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Clarinetist Anat Cohen has always been a world musician, bringing sounds from around the globe into her style of jazz. On Luminosashe expands on these eclectic musical passions to deliver a beautiful, tune album. Cohen sets the scene with her touring band—Jason Lindner on keyboards, Joe Martin on bass and Daniel Freedman on drums—then sprinkles in Brazilian musicians from her new band Choro Aventuroso and tops it off with guest spots from guitarists Romero Lubambo and Gilad Hekselman as well as percussionist Gilmar Gomes.
And the results are stunning. Cohen continues her exploration into the music of Milton Nascimento, including three tunes he is known for, on this outing. And another special mention has to bacalyau out to Martin on the second two of these tunes.
There bacalhqu so many elements of this album that display why Cohen is one of the true masters of instrumental music today.
One of nacalhau is a good sense of humor. She notes that Lindner brought the tune to the band, and she got into the concept of making acoustic instruments imitate electronic music. Her dedication to craft is fantastic. And she surrounds herself with world-class players. If you really want to hear two musicians communicate, listen to them in a duo setting.
espinha de bacalhau piano pdf
With Nexusa newly released duo recording from guitarist Pat Martino and pianist Jim Ridl, listeners get the rare opportunity to eavesdrop on an intimate dialog between two masters of their craft.
Other tunes are noteworthy for their compositional originality. Reggie Quinerly embodies style, substance, soul and swagger. The drummer burst onto the scene as a leader in with a tribute to his old bacalhay in Houston, Texas. Music Inspired By Freedman Town was a blast of pride and an indication of great things to come. Well, the future is now—and Quinerly delivers with Invictus.
Espinha de Bacalhau – Saxofone e Piano – YouTube | Sax love | Pinterest | Jazz
This is an album full of power and grace, taking its title from a William Ernest Henley poem. In the liner notes, Quinerly points out that this recording serves as a declaration of taking control of his future as an artist. Quinerly backs up what he says here, working with a quintet of bright, next-gen stars—Warren Wolf on vibes, Christian Sands on piano, Yotam Silberstein on guitar and Alan Hampton on bass.
Quinerly is an artist who has a clear vision of what he wants to do and where he wants to go. So, enjoy Invictus and look forward to where Reggie Quinerly is heading next. Check out the online video trailer for Invictus by clicking here. If you ever want to know what perfection sounds like, just listen to Duetsthe great new recording by Kevin Eubanks and Stanley Jordan.
Knowing how different each of them is stylistically makes the concept fascinating.
Both have been musical searchers and can play in the tradition, but have refused to be pigeonholed or categorized in any way. Both have kept their musical vision wide open, free to follow their muse of the day. But here, we see a real simpatico, respect and joy in playing together that is so rare. It builds into the perfect platform for both musicians to show of their chops—make that their artistry. They just seem to be wrapped up in a great conversation. For bassist Avishai Cohen, the trio is a natural fit.
Though his latest album, From Darknessis only his second release as a trio leader, it achieves what every trio recording aspires to: That Cohen can create such genuine chemistry with his bandmates speaks to his profound vision and inspired leadership.
Dor is brave and inventive. In each one of these idioms, Cohen and his crew prove to be fluent and articulate speakers, intent on realizing a shared vision. Contributing to three tracks is alto saxophonist David Sanborn, who shows off the chops that would make him a superstar in the ensuing years. This album, which is part of a series of concert discs recorded at The Bottom Line, is a funk-fueled time capsule that transports the listener back to the height of the fusion era.
Casey of The Bad Seeds.
Wilson delivers the lyrics with obvious, tremendous respect. On her sophomore effort, Inner Dialogueshe returns to that fertile ground with renewed ambition and a vivid imagination. Given her impressive career, this should hardly come as a surprise. In addition to teaching, she is currently developing an early childhood music education program with Rise2Shine, a non-profit organization based in Haiti, a country that has long served as a source of inspiration for Pian, whose father is from Port-au-Prince.
Other tracks find her voice soaring. One rising star to pisno an eye on is Lucas Dorado, whose father is acoustic guitarist Carlos Dorado. The only instruments on this gentle song collection are acoustic guitar, vibraphone and occasional percussion, resulting in a cohesive disc. One integral quality bacalha Carlos and Lucas share is an appreciation for the space between the notes: These musicians bacallhau grandstanding in service of a hypnotic melody.
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