Crowds and Power [Elias Canetti, Carol Stewart] on *FREE* shipping on qualifying offers. Crowds and Power is a revolutionary work in which . CROWDS AND POWER by. ELIAS CANETTI. Translated from the German by. Carol Stewart. NEW YORK. THE VIKING PRESS. I Canetti, Elias, Crowds and power. Translation of: Masse Und Macht. Reprint Originally published: New York: Seabury Press, Bibliography: p.
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Crowds and Power is a revolutionary work in which Elias Canetti finds a new way of looking at human poaer and psychology. Breathtaking snd its range and erudition, it explores Shiite festivals and the English Civil war, the finger exercises of monkeys and the effects of inflation in Weimar Germany. In this study of the interplay of crowds, Canetti offers one of the most profound and startling portraits of the human condition. Elias Canetti’s Nobel Prize was awarded mainly on the basis of this, his masterwork of philosophical anthropology about la condition humaine on an overpopulated planet.
Ranging from soccer ellias and political rallies to Bushmen and the pilgrimage to Mecca, Canetti exhaustively reviews the way crowds form, develop, and dissolve, using this taxonomy of mass movement as a key to the dynamics of social life. The style is abstract, erudite, and anecdotal, which makes Crowds and Power the sort of work that awes some readers with its profundity poweg irritating others with its elusiveness.
Canetti loves to say something brilliant but counterintuitive, and then leave the reader to figure out both why he said it and whether it’s really true.
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Civilization and Capitalism, 15thth Century, Vol. The Structure of Everyday Life. A House for Mr. Crows, Straus and Giroux; th edition April 1, Language: I’d like to ane this book on Kindle Don’t have a Kindle? Share your thoughts with other customers. Write a customer review.
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Showing of 27 reviews. Top Reviews Most recent Top Reviews. There was a problem filtering reviews right now. Please try again later. Canetti strips away the trappings of civilization and depicts human beings as what we, at base, are – animals.
Our instincts for safety in crowds, following a Big Man, jumping into heaps honest and living in packs are similar to ad we see for other mammals, especially primates, on Animal Planet.
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It’s an excellent lens for life in I’ll keep this short since there are already many good reviews here. This book is a moving treatise on the dangers of powerful leaders who are very influential to the masses. It’s an analysis of the link between our leaders, how we are led, and how this has shaped the society that we live in. It’s analysis covers the gambit from wild primates to suburbanites.
The observations were very insightful and do seem to ring true prima facie. I honestly think that our electorate would be far less prone to influence by charismatic politicians if every citizen read this. Excellent read in these days and times, though it got a little too detailed and dry.
As always with Canetti, he’s perceptive, writes clear as a bell and is generally correct. Extremely informative, but slow going in my view. Perhaps I was expecting more fire, but this is definitely a must read and one that I am glad that I got through.
AN insightful book delivered with excellent service. Canetti’s book is somewhat strange; it is also gripping and often uncannily accurate about the nature of power. At the same time it is full of conceptual nodes and holes that reflect the peculiarities of his own life and the times in which he lived e.
Taking into account his own early life as an “undesirable element” a Jew who was not fully welcome in the land of his birth Bulgaria and who was then cast out of the society of his adolescence and early manhood in Vienna where he acquired his higher education and the language of his thought and writing his focus in Crowds and Power makes sense in a very personal way — had you led his life with all of its insults you too might have arrived at similar conclusions about the dismal nature of eilas relationships” among people, especially if you came of age during the pan-European turmoils of the piwer half of twentieth century, a very bad time for the human race.
The work is “Nietzschean” in its construction and often in its eliad and, from the light shed on human thinking, there are shades of Kafka in cgowds work as well – man as beset, mortified and made anxious by the social walls that surround him and metastasize in growth and shape in his mind.
As in Nietzsche, there are idiosyncratic topic groupings and unexpected leaps between groupings. Canetti illuminates his central point by setting intellectual powerr in a circle around it. There are strikingly original chapters that deal with topics such as “transformation” the key to understanding totemism”the mask”, and the blatant intrusiveness of asking any but the simplest question.
The style is often aphoristic, and many of its aphorisms are slaps in the reader’s face, prodding us eliass with the message that it’s time to wake up. Unusual typologies and word-usages abound e.
Crowds and Power
These oddities are not a product of faulty translation, since Canetti knew English well enough not to allow his key terms to be misrepresented by a lazy choice in that language. The work ranges widely through history, cultural anthropology, psychology, and evolutionary theory as these analytical frameworks were applied in his day to the explanation of specific behavior patterns in men, monkeys, and other animals, all within his general interpretation that discrete pieces of evidence canettii these disciplines fall under the heading of “the crowd phenomenon”, either literally or metaphorically.
We are left with considering men to be either Survivors or Slaves. The only “free” man who avoids the “sting” built into every command and its acceptance or rejection is the man who altogether evades situations in which commands are given and responded to. By avoiding the normal situation of playing a part in a social hierarchy he crlwds free; such a man has to be, by definition, marginal, perhaps even a social isolate.
Canetti was well-known for his individualism and his prickliness, brutally self-illuminated in Party in the Blitz – one wonders if he considered his anx to be the tokens of such a hypothetical “free man”?
There is something in Canetti’s typology that is akin to Raul Hilberg’s Holocaust-studies classification of hundreds of millions of Europeans as powe perpetrators, victims, crowdds not entirely innocent bystanders – for Canetti seems to see human history as a sort of continuous political holocaust, a repetitive nightmare of power relations from which we cannot awake.
Canetti’s Survivor runs the gamut from the winner of a duel or contest through the warrior especially the warrior as a general or commander of troops through the ordinary king to the most paranoid and therefore bloodthirsty absolute ruler — undoubtedly the unsavory careers of Hitler and Stalin were prompting him in this typological direction.
The ultimate Survivor best differentiates himself from the Crowd by standing alone amid a pile of corpses his commands have created; yet he remains anxious that the vast majority of humanity i. Canetti lived long enough to entertain the cases of Mao or Pol Pot, qnd these could only strengthen his conviction about the correctness of his analysis of power and its recurring tendency to manifest itself in croqds demi-godly rulers.
In spite of the level of Germanic abstraction and reification in the presentation of his ideas about power, much of the evidentiary material he draws upon is still useful in the analysis of contemporary social and ideological phenomena. Some of the material is surprisingly germane today — who could have guessed the present temporal consequences crowrs the basic outlook of Shiite Islam, which, sixty years ago, he characterized as a wounded and resentful cult of lamentation that could only be soothed crosds healed by a yearned-for apocalyptic ending of human history?
Wounded beasts are dangerous, especially when new-found wealth is coupled to old resentments. He cahetti his equations by his closing comments on the case of Daniel Paul Schreber. On a parenthetical note, reading of Schreber’s father’s exploits — inventing devices to physically restrain his own children — goes a long way toward explaining not only the substance of many of Schreber’s cnetti, but also the popularity in 19th century Germany of illustrated childhood discipline manuals, some of them presented in darkly comical form, cwnetti.
What dark roads this mania led to, hardly comical, is left to the reader’s imagination. Caneetti became the demented sounding-board of Kraeplein, Bleuler, Freud and many other crowdd who wished to generalize about something and even everything important about all of us, based on minute examination of the delusions of this most famous, and most eloquent, late Victorian madman.
The correct medical diagnosis of Schreber’s condition was that he suffered from “paranoid schizophrenia” accompanied by florid delusions of grandeur. According to Canetti it is these attributes which also characterize history’s great men, and what delusional power over man and the universe Schreber wielded in his fantasies, those great men have wielded over our bodies and minds.
It’s a grim picture and may even be an accurate one. The work concludes with a brief epilogue in which hope of escape from our almost biological thralldom to power might be based on our understanding the roots of our craven condition as they are diagnosed by the author. If the success of the “talking cure” in psychiatry is taken as our model, then we’re still in for a long and gloomy night.
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