Songs in this series. 1. ¿Con qué la lavaré? 2. Vos me matásteis; 3. ¿De dónde venís, amore? 4. De los álamos vengo, madre. Composer; Performances. [translations by John Glenn Paton]. Cuatro Madrigales Amatorios () [ anonymous]. Joaquin Rodrigo. ¿Con qué la lavaré? (–). Vos me matásteis. Cuatro madrigales amatorios (). Compose date: Duration: 8′. Editor: Chester. Orchestration: soprano 2 (1) 1 0 1 1 0 0 Str. Versions: Original for voice.
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En Aranjuez con tu amor. Jazz Latin New Age. Romantic Evening Sex All Themes. The above performance showcases the tragic nature of the music.
All three of these were originally written by Miguel de Fuenllana. These four wonderfully lyrical and peculiar love songs have both a neo-classical flavor in the style amatorois their music and a surrealistic flavor in mwdrigales handling and content of the texts.
Drinking Hanging Out In Love. The Maiden and the Nightingale: The text, which is only four lines long, is repeated in isolated phrases and reharmonized, taking on a surreal character as a result of this obsessiveness.
It’s understandable that Rodrigo would strive to honor these works. Works were no longer solely written for court use; in the 16th century there can be found a wealth of folk music very much oriented towards the Spanish peasant. This illustrates a divide which recurs throughout Spanish history. Composed inthis collection of four love songs is drawn almost entirely from 16th century vocal music.
Homenaje a Joaquin Rodrigo. It was the elite’s fascination with romantic adversity which served to popularize such a broad musical movement, and gave birth to some of the time’s most exemplary art. Sexy Trippy All Moods. Nothing else in Rodrigo’s catalogue is more heavily influenced by folk music than his “Cuatro Madrigales Amatorios”. Streams Videos All Posts. In “Vos me matasteis” leftthe soloist performs a song of love which comes straight out of Spanish peasant culture, expressing heartbreak which the elite were likely not overly familiar with.
Fuenllana modernized these songs by rewriting them for vihuela, while Rodrigo casts them in a madrigalees contemporary light by orchestrating them for an ensemble befitting the 20th century, with a full orchestra madrgales complete with strings and winds. Rainy Day Relaxation Road Trip. This led to a fascination with, and romanticization of, “peasant” music in the royal court. The fourth madrigal, De donde venis, amore? Genre Vocal Music Classical.
Introspection Late Night Partying. This renewed focus on the citizenry, rather than the aristocracy, aamtorios a profound influence on the music being composed at the time.
Madrigales (4) amatorios, for voice & piano (or soprano & orchestra)
Beautiful Dorian-mode harmonies begin the work. These underscore the text, which urges a mother to go to a stand of poplar trees.
Joaquín Rodrigo – Cuatro madrigales amatorios ()
It is an ambiguous history which proves the practice of adaptation in music composition. It is through the tributes of composers like Rodrigo that the music of this extraordinary era lives on through the 21st century.