Page 1. Page 2. Page 3. Page 4. Page 5. Page 6. Page 7. Page 8. Page 9. Page Page Page Page Page Page Page Page Page Telemann Fantasias: a feat of ingenuity and inspiration examples for flute such as Schickhardt’s L’Alphabet de la Musique, twenty-four sonatas in all major. ANTÔNIO CARLOS PORTELA DA SILVA first three of Telemann’s 12 Fantasias for Solo Flute. . ii) Revised edition of Telemann Fantasias 1, 2 and 3.
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Telemann’s solo flute fantasias are alone in the Baroque repertoire to include movements seemingly impossible on flute: Retrieved from ” https: There are two ways to view the overall structure of the collection: But Its potential as a solo instrument was quickly realised and the first fabtasias of solo music came in in Venice.
The viol fantasies were dedicated to Pierre Chaunell, a prominent and wealthy Hamburg business man, fantasoas Huguenot family had fled France at the revocation of the Edict of Nantes in Don’t show me this message again.
Genre Categories Fantasias ; For flute ; Scores featuring the flute ; For 1 player ; For recorder arr ; Scores featuring the recorder ; For trumpet fantasiaw ; Scores featuring the trumpet.
In other projects Wikimedia Commons. Inan arrangement for viola solo was published by Euprint.
12 Fantasias for Solo Flute (Telemann)
Performer Pages Tokinori Yanagita baroque flute. Having six strings and later seven and tuned in the same way as the lute gives the instrument the ability to express both lyrical melody and harmony with chords, and many composers sought to combine both elements.
Initially, this new instrument played vocal polyphony in consorts of three, four, five and six parts, perhaps from the newly invigorated printing of music fantasuas Venice by Petrucci. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
12 Fantasias for Solo Violin (Telemann) – Wikipedia
This page was last edited on 22 Julyat This scheme does not resemble that of the twelve flute fantasies, which progress in a roughly stepwise direction from A major to G minor.
He published a set of twelve fantasies for solo flute ineach in a different key in ascending order, and then a couple of years later a similar set for violin, again all in different keys, but without the ascending format.
Not only did he write the music, but he personally engraved the plates as well, claiming he could complete nine or ten a day. Views Read Edit View history. Emmanuel Pahudflute . It is remarkable that the solo bass viol, already having such a large repertory without mentioning the chamber music or the consort music finds itself enriched even more with a large body of important and excellent works by a leading composer of the high baroque.
If so, the copyright claim is bogus as simple transposition completely fails to meet the threshold of originality required to qualify as a derivative work or adaptation. Creative Commons Attribution 3. Editor Barthold Kuijken Barenreiter Verlag Fantasias fanhasias For flute ; Scores featuring the flute ; For 1 player ; For recorder arr ; Scores featuring the recorder ; For trumpet arr ; Scores featuring the trumpet.
While the first two sets of solo fantasias were known and reprinted several times, the set for viol was lost. Another was proposed by scholar Wolfgang Hirschmann—there are four modal groups of three fantasias: They may not be public domain elsewhere.
IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. And when he travelled to France telemamn to present these works, he was ecstatic at the abilities of the great French virtuosos who played them: Hence, the edition is public domain in its country of origin or a government publication.
12 Fantasias for Unaccompanied Viola | SHAR Music –