Stockholm Chamber Brass – Ewald: Brass Quintets Nos. By Niklas Åslund. 14 songs. Play on Spotify. 1. Brass Quintet No. 1, Op. 5: I. ModeratoVictor Ewald, . Index of /nuhorns1/Brass Chamber Music/brass chamber music/brass quintet/ Ewald/Brass Quintet No. 1. Parent Directory · 01 Trumpet · 02 Trumpet .

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Its allencompassing repertoire included all the quartets of Haydn, Mozart, and Beethoven, as well as newer works.

From Wikipedia, the free encyclopedia. For many years it was wrongly thought that Ewald was the composer of only one quintet, his Op.

Victor Ewald

Founded in by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition. For that reason Quintft soon became and was to remain throughout his life one of the most active and versatile members of a remarkable circle of dilettante musicians.

In he did write one piece, the eighth variation Andante cantabile of brxss collective work, Variations sur une theme populaire russe for string quartet, one of the other composers being Scriabin. He was born in Saint Petersburg and died in Leningrad. In addition, we can infer that Ewald must have received much of his undisputed craftsmanship and sense of form from the training, formal or informal, in quintdt Belaiev circle.

And of course one cannot reject the theory that it was simple pragmatism of utilizing insurments and performers close at hand.

His next published work, the Brass Quintet No. In the present edition, the score is written in concert pitch, and there are several alternatives in the set of parts, to facilitate performance either on the original instruments, the instruments of the modem brass quintet, or whatever.

Brass players however are indebted to him for something very different — a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Alto Horn in E flat; Horn in F. By using this site, you agree to the Terms of Use and Privacy Policy. Petersburg, and was also the cellist with the Beliaeff Quartet for sixteen years.

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Victor Ewald – Wikipedia

Recently, Canadian Brass published critical editions all of the Victor Ewald quintets edited by Tony Rickard, taking into account, and benefiting from, all recent scholarship surrounding these works.

It was published by Belaiev in Photographic evidence ewalld about shows that Ewald himself played in a brass quintet. Views Read Edit View history. In that year, which was also the year in which he was appointed quintett, he apparently ceased composing for a time.

It is seen to consist of two piston-valved cornetsrather than the modern choice eewald trumpets ; a rotary-valved alto hornrather than the French horn ; a rotary-valved tenor hornrather than the trombone ; and a rotary-valved tuba played by Ewald himself.

Certainly this suggestion is one that might find favour with modern-day trombonists required to rise to the challenge of what can only be described as, qyintet times, unidiomatic writing.

They are in no way included as a definitive statement, but rather in the hope that they may be of assistance to musicians discovering these pieces for the first time. The edition therefore follows the instrumentation conventions of the modern brass quintet, in that it is scored for two trumpets in B flatFrench horn in Ftrombone and tuba.

VAT in the EU. The apparent confusion between the numbering and approximate date of composition of the quintets arises from another long-held misconception, also corrected by the studies of Mr. Ewald duly reworked the piece for string quartet and it was in this form that it was published as his Op.

Cornet Trumpet in B flat.

Brass Quintet No.1, Op.5 (Ewald, Victor)

This was the most influential ensemble in St. Sokolov, a teacher at the St. Rimsky-Korsakov also reports that by then, the Friday evening quartet sessions had begun to suffer a certain stagnation. Among these were Borodin, Glazunov, Sokolov, and others. This group, whilst all being amateur in the strict sense of the word, made, with the influence of a shared interest in indigenous folksong, a significant contribution to the development of a distinctive Russian national musical style which, for the majority of the 19th century had been almost entirely submerged by the Germanic tradition in both teaching and practice.


A further nine years of investigation was necessary to authenticate the manuscripts, before the pieces were given their first modern performance during the season in a series of concerts by the American Brass Quintet at Carnegie Hall.

The original instrumentation of Ewald’s three brass quintets is: The sessions started before dinner and always continued until well into the night, never ending before 3 in the morning.


Stockholm Chamber Brass – Ewald: Brass Quintets Nos. on Spotify

Russian composers Male composers births deaths People from Saint Petersburg. He also collected and published Russian folk songs. His first known work is a string quartet, Opus 1, which was awarded a third prize in a competition of the St. Petersburg in the late 19th century, introducing much of the standard quartet literature to Russian concertgoers. Ewald was a professor of Civil Engineering in St. Ewald’s Brass Quintets No.

This page was last edited on 16 Julyat Petersburg Quartet Society in March, Retrieved from ” https: The Canadian Brass editions do not set out to provide an Urtext, but rather to give performers a consistent and practical set of material for concert use. More important for Victor Ewald were the Friday evening string quartet sessions held in Belaiev’s house, the publisher himself playing the viola, Ewald the cello. However, the popularity of his quintets has in no way diminished because of this.