Campagnoli, Bartolomeo – 41 Caprices Op 22 for Viola – Arranged by Bartolomeo Campagnoli – 7 Divertimenti, Op 18 – Violin – edited by Enrico Polo – Ricordi. Campagnoli, Bartolomeo – 41 Caprices Op 22 for Viola – Arranged by $ Fuchs, Lillian – 16 Fantasy Etudes – Viola solo – International Edition | The very first chord in particular, with the extended fourth finger, is just barely playable for me on a inch viola. However, after clearing the hurdles, I’ve.

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So back to this caprice: Measures are a perfect example: You can see how this works for me in the video. I want to take a moment here to thank Riverside Church for providing the inspiring space. He returned home in and played in a local orchestra. Notice how they even break apart into a dialogue at m.

His two daughters Albertina and Giannetta were singers, and in he toured Italy with them. In he studied further in Venice and Paduawhere Tartini still lived.

During Campagnoli’s time in Leipzig, the violinist and composer Louis Spohrvisiting the city where he was to give a concert, heard Vviola play a violin concerto by Rodolphe Kreutzer. Even though they were published in Bonn inonly a few violinists knew about Johann Sebastian Bach’s Sonatas and Partitas. Views Read Edit View history. He left the court violw the Duke of Courland, and in he was appointed concertmaster of the Leipzig Gewandhaus Orchestraa post he retained until The top line should always be held while the bottom one undulates: He resigned from the Gewandhaus Orchestra to look after his daughters’ viiola the family eventually settled in in Neustrelitzwhere he died in But I had to look forward to passages like mm.

He visited Paris inwhere he was impressed by the playing of the violinist Rodolphe Kreutzer. Elaine Fine I am campagjoli as a composera violist, a violinist, a recorder player, and as a teacher.

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In he went to Rome and played in the orchestra of the Teatro Argentina. Campagnoli was a vkola violinist who toured Europe propagating the 18th Century Italian violin style.

My favorite part of the piece is the coda, from mm.

The very first chord in particular, with the extended fourth finger, is just barely playable for me on a This page was last edited on 25 Decemberat This makes me wonder if it it was Campagnoli and not Kreutzer or David who was the 19th-century’s first window to the solo violin music of Johann Campagnolu Bach.

In he published Campatnoli per Violinoa treatise on violin playing; it can be regarded as demonstrating the style of a transitional period between the Baroque and Classical era.

Campagnoli seems to use the viola solo as a one-person show: A Dictionary of Music and Musicians. The key of G major makes the most of the viola’s natural resonance, especially in a nice hall like the one in Riverside Church that I used for the recording session. It lets the viola sing naturally, with simple phrases in the first half and florid passagework in the second. I found it most helpful to emphasize the bottom note of each chord, to keep the line going and also to keep my bow and left hand on the from getting distracted by other technical complications.

Wednesday, April 03, Campagnoli and Bach? He also has a number of compositions to his name, notably:. Jumping back and forth between the G and A string, or the C and D string, requires a quick and adept adjustment in arm weight to make the string speak properly.

Caprices (41) Op. 22 viola

While retaining this post he undertook tours; he toured Sweden in where in Stockholm he was elected a member of the Royal Swedish Academy of Music ; in toured European cities, mainly in Germany and Austria. One look at Kreutzer 11 and this variation of Campagnoli 25 makes the relationship between these two composers abundantly clear.


There isn’t much known about Campagnoli, though I did read somewhere that he was one of Rodolphe Kreutzer’s teachers, and it is certainly possible that Campagnoli learned some of his craft from Tartini, either through personal contact or through his music. The left hand should feel as pliable as possible, as often shifts happen fluidly: As with many of Campagnoli’s caprices, you cannot find even one dynamic marking: In he was appointed kapellmeister to the bishop of Freising in Bavaria.

Music is a mystery for people who play it, write it, listen to it, and write about it. The only thing I can really do when I try to say something about music is assume. They are important etudes for the viola because they are original for the instrument, and they are rewarding to practice.

In Florence he also played in campahnoli orchestra of the Teatro della Pergola.

The Campagnoli Project

Furthermore, if Campagnoli wants a fingering that takes you out of first position, he will usually indicate it. He has done an amazing job with the audio and video: He toured northern Europe giving concerts in I used to think that Kreutzer might have been one of the few violinists who had the publication because of how Bach-inspired his 37th Caprice sounds.

I began my professional campzgnoli life as a flutist, and spent a lot of quality time as a baroque flutist, but I no longer have my baroque flute. One of my listeners recently mentioned that this caprice reminded them of an aria from Verdi’s Don Carlos. So, in order to play this successfully, your left arm will have to swivel slightly, back and forth to guide the LH adjustment. Bartolomeo Campagnoli published his Opus 22 Capricci for solo viola in Leipzig in